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The 5 Best Horror Movies of All Time

From nightmares to nightmares, the best horror movies that turn your dreams into nightmares

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Scream (1996)

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Movie: At the end of the 90s, fear looked a little tired. The masked slasher hole rattles the need for a cup of very strong espresso. Instead, it was Wes Craven’s Cry, who portrayed his genre with a perfect mix of comedy and horror, although parody at the beginning of postmodern irony. As Neve Campbell, Rose McGowan and Drew Barrymore, teens talking about a horror movie that ran away when caught by some kind of obsessed serial killer? Oh, go ahead … Add Courtney Cox – Friends high in fame gimmicks – Gale Weathers and Scream as a brave news reporter is a modern horror classic.

Why it’s scary: Just because something is a reference to itself doesn’t mean it can’t be really scary. The Scream mask, based on Munch’s painting, may have produced a scary bliss from Scary Movie, but it still manages to be both terrifying and exciting. Çığlık’s fears were also not seen. The victims fall into the knife of this tune with disturbing regularities, and as the last game connects to our truly delightful rag-hero heroes, the last game becomes even more stressful as they wonder who will remove the credits. The talented Craven Nightmare on Elm Street guarantees fears to the end. Why not you, liver alone, huh?

Alien (1979)

Alien (1979)

Movie: Reportedly, one of the biggest science fiction films ever made is just one of the biggest horror films. Doesn’t look fair, does it? The original alien from Ridley Scott sends Nostromo’s crew to search for an innocent search as innocent as any group of hormone youths from an abandoned spaceship to a remote cabin in the forest. And like these young people, many cannot survive to tell the story. Here Sigourney Weaver created the ultimate Final Girl.

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Why is it scary: Nowhere can a space ship that is far away from home be isolated more horribly than the light, and Giger’s alien enters a monster as you wish. Fear goes deeper than teeth and claws. This being is a multiplayer, endless psychosexual horror pit, praying for some kind of primary terror release. Moreover, the visual uncertainty of Scott’s direction during the last movement, ‘What’s in the shadows?’ Also an absolute master class. Voltage. Ignore the latest film, xenomorphs, turn off the lights and watch it, and the Allies reigned over your passion for the real horror of Scott’s vision.

 

The Exorcist (1973)

The Exorcist (1973)

Movie: And here we are in the top five of these best horror movies. It is almost predictable that William Friedkin is still at the peak of many horror features in his masterpiece of the 40s. But look at Exorcist and you will understand why. This is the story of Regan, the daughter of a successful film actress who played with an ouija board in the basement one day. If you’ve wondered why your parents didn’t want you to play inadvertently with a looking toy, young Linda Blair probably has something to do with it. Using the Ouija board as an introduction takes root to an unwanted guest little girl, and the rest is a film story as a jerks devil comes out.

Why scary: Like shine, the Exorcist isn’t safe either. Unpredictable, visible and glorious, based on the simplest premise, but certainly, even in the happiest moments, it shows. For now, however, the legendary production of William Friedkin’s carelessness about “authenticity” meant that his actors were frozen in a refrigerator room, physically dragged into sets to enhance the physical ability of the devil, and of course sprinkled with hot pea soup. The result is probably a horror film that you can never say you enjoy actively, but imagine that you expect to feel the horrors of Friedkin’s evil ghost train in all its terrifying glory.

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The Thing (1982)

The Thing (1982)

Movie: Maybe you’re buried in the snow and you missed John Carpenter’s final version. Very understandable. Why don’t you get close to the fire and you bastard? The title may look miserable, but Well, as a group of Americans at the research station in Antarctica, Kurt Russell’s R.J. Like his MacReady – another, good, blood-infectious thing. A dog can catch up with his friends – this time you don’t need to check DoesTheDogDie – but it doesn’t really end there.

Why scary: Well, it’s a film about physicality. There is intense paranoia and fear at the party when the children begin to disintegrate as the infection spreads, but this is very real, so nausea is disturbing. Practical effects – the responsibility of young Rob Bottin and unaccredited Stan Winston – are real stars, such as when the arms are eaten by the breasts, their heads are cut off from their heads and their protruding and elongated bodies. It’s never less than a real nightmare fuel for these murder monsters to look scary at work.

The Shining (1980)

The Shining

Movie: Even if you haven’t seen Stanley Kubrick’s masterpiece, you know The Shine. You’ll know Jack Nicholson’s “Heeeeeeeere’s Johnny” (apparently advertised), and you might even find that if you hand over the keys to room 237 in a hotel, you might want to change to another suite. But what if you don’t have one? What if you snowed in a mysterious hotel with only fence animals for the company? Well, Shine follows a man and his family in the role of winter watchman at a resort hotel known as Overlook. The winter months are not going well, given that Stephen King is an adaptation (although the horror writer hates to make his own film). Apparently, Overlook Hotel doesn’t like people.

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Why scary: There’s a reason why this real scream is the top of the stack. The shine feels bad. It’s a movie you’ll never feel safe when we follow Danny hypnotically as he strolls through the hotel corridors as he descends from Kubrick’s ruthless direction from Jack Nicholson’s devastating performance as a horribly descending man. An earlier hereditary on this list seems to be directed by The Shining, a drunken madman. What’s next? Does blood rise? Little girls caught it? The fear that went into the bathroom of room 237? This is not a horror movie of scams or cheap tricks, but Kubrick’s film is an ugly, dangerous monster that stays with you for a long time after your TV has darkened.

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